It’s been a while since I’ve done an update and I just returned from GDC, so this is a good time.
First, in my silence I’m programming a lot, sometimes 12hrs a day, and the game is really coming together. As an artist I spend so much time trying to make the work of my hands be as good as the vision in my head. Aspects of Archmage Rises are beyond what I imagined a year ago when I started this project. It is very exciting!
It was my first GDC and I didn’t know what to expect from it. (more…)
I’m relatively new to art appreciation. A big turning point for me was a few years back when I read John Milton’s Paradise Lost. Since then, my appreciation for art and the artists behind the work has continued to grow. I even have some Peter Max limited edition prints hanging on my walls.
I’m a huge fan of fantasy art and pretty much any game art coming out of TSR in the 1980s. There is something about the oil on canvas, seeing the stroke of the brush—which for me sort of elevates the work. I’m not complaining about the perfection found in digital painting—just that I like the “handmade” quality brush strokes bring.
Archmage Rises is a love letter to tabletop role-playing games. The art style is ’80s TSR for the modern area.
Seriously awesome! (more…)
“Good artists copy, great artists steal.” – Pablo Picasso
Sid Meier’s Pirates! is arguably the most important game ever made . . . and it also ruined my week. You see, I’m working on Archmage Rises—and part of my elevator pitch is, “It’s like Pirates! but with mages and permadeath.”
“Live the Life” is exactly what this Pirate simulator delivers! (more…)
I’m travelling this week to meet up with another indie developer about our games. I asked my Facebook followers what question I could answer for this blog while I was travelling. Someone asked about my first role-playing experience—as I wrote my answer went way beyond just “nostalgia.” This is more raw and honest than I’m sure the asker expected!
This past week, I focused my development efforts on the user interface (UI) of Archmage Rises. Proper software development methodology mandates that we should take on the highest priority, highest risk items first. We should do this to save enough time and energy to deal with the truly dangerous issues: the unknowns. Archmage Rises is a UI-heavy game, and the interface is core to the entire game experience. Fortunately, I’m working with the very talented UI artist Rick Grossenbacher.
Note: We’re only about a quarter of the way through the process, but I thought I’d share the approach and progress thus far. (more…)
I had a bizarre personal/family situation that totally consumed me from May to the end of July. Nothing much happened with Archmage during that time, which was like Chinese water torture for an indie dev.
It turns out that I had to take over a little store – from personnel to IT. I couldn’t choose not to do this. It was just something I had to do for the good of my family.
This is a fitting picture for an indie developer’s life
Sometimes a new solution is just an old idea in a new package.
Last time, I covered how re-reading the Dragonlance novels got me thinking about a new kind of RPG. One that is a realistic open world, procedurally-generated, and full of meaningful choices. The question is: How can I build it? Is it even possible?
Shark Tank is a TV show where prospective entrepreneurs (fish) pitch their business ideas to industry titans (sharks). After one of these pitches, Kevin (the grumpy Simon type billionaire on the show) asked, “Which is more important: The idea or the execution?”
Thinking for a minute, the entrepreneur nervously answered “Execution.”
“Right answer,” said Kevin. And he proceeded to invest in the idea.
I had a solid idea, but I wasn’t so sure about how to execute it. If I want to allow the player true choice, I have to address the cost of choice head on. I found the answer in two places: another TV show . . . and the early ‘90s.
Cost of Player Choice
There is one reason why the same characters die at the same time both in my playthrough and yourplaythrough of Watch Dogs: cost. Video game budgets now eclipse movies by a considerable margin—leading to less relevant choices.
How to Have a Good Idea
I am very interested in what drives creative inspiration. How to spark it, then harness it. I’ve read books on it. I’ve looked into what the artistic masters like Da Vinci, Michelangelo or Bach did. I’ll share the best advice I have assimilated on the topic:
I wrote my previous post because someone asked me to. I did not anticipate how well it would be received by the gamedev community. Thank you, everyone! Some favorite comments:
“I share a lot of similar background.”
“I wanted to contact you to let you know that I was incredibly inspired by your writing.”
“Thank you for this article. It may very well change my life.”
I enjoyed hearing thoughts from fellow developers on what I shared.
Some people wrote (in varying levels of harshness) that I’m going to fail again on PC just as I did in mobile. They stated that past performance is an indicator of future performance. If this were true, only people who have succeeded will succeed, and only people who have failed will fail. But life shows us something quite different: successful people failing and unsuccessful people succeeding. The real issue is not about past performance, but what has changed (the pivot, to use Lean Startup jargon) in the present. My article did not detail how I am applying all of the lessons learned to Archmage. That starts now!
I am fed up with the whole mobile/tablet gaming market. I’ve worked hard for three years and released two games to almost every mobile device you can think of. Never again. From now on I am focusing all my development resources on the PC. Frankly, I should have started there to begin with.
So how did I reach this conclusion? I am going to share my story with you. Openly and honestly. Some of it is gut-wrenchingly honest. Maybe this vulnerability won’t paint me in the best light, but I’ll take that risk in the hope you can learn from it. (I have changed some people’s names to protect their identity.)